A Moment In a Cycle

2020

A moment in a cycle was an installation I made at the start of Autumn 2020. It was something my gut was leading me to make and something I’d been wanting to do for a while. You see at this time of the year; tree surgeons can be seen around the city pruning the branches of large trees that line the streets. These branches lay on the ground for a few days before they are collected and shredded, something I’d been noticing for a few years. This time I started to collect as much as I could and brought them to my studio to create an indoor Autumn canopy, of yet to fall and die leave and branches, to dwell in. My gut wanted to take the time to personally experience what this season had to offer. Being a person that is always busy with multiple things always spinning at once, I felt the need for this to be represented in the space as well. Elevated wooden round plates, that I found near a construction site, were suspending and spinning in mid-air, not quite touching each other but connected by a metal wire grid above. At some point they were also strung together with rope by other master fine art students that were invited into the space. These wooden plates, with holes in them, moved, when touched, at their own rotation and speed as well as remaining still when the interaction ceased. I spend time observing these rotations and movements, hypnotised by their motions and stillness. I looked through the cracks between the leaves and branches that grew, and they died and fell to the ground and let this moment in the season of stillness sink in. What would or should fall away, what will or should die, what should be removed, what should remain still, what should or could connect? These suspended wooden plates and the reflective moments they offered have travelled through my work giving way for the next season to spring forth.

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Making & Sharing Connections

2019

Research for mutual sharing and connecting between art practices.

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Skip For Circularity

2019

Playful research that was centred around individual flows, patterns, cycles and rhythms.

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DIY Mini Landfill

2017

 

The video shows simple steps for making your own landfill.

This public performance invited the passerby to participate in filling the earth with rubbish. It was a social experiment to spark a reaction from the public towards the accumulation of garbage, how its handed and where it ends up. 

REPETITION

2018

A dance performance expressing human movements that prompt a surplus of merchandise.

THE GREY SOFT TRAGEDY 4 PART SERIES

2017

A series of installations, performances and interactions centred around toxic fumes commonly used.

GARBAGE TOSSING COMPETITION

2017

Game Rules:

1. Competitors stand behind the starting line, each holding garbage-bags of equal weight.

2. They each get a chance to toss the bag as far as they can.

3. The winner is the one who tosses the bag the furthest.

KALEIDOSCOPE BIN INSTALLATION

2017

 

Medium: Mixed medium

The kaleidoscope bin is an installation designed to offer a different points of view’s towards the rubbish bin and its content. By creating a multiple-affect of both the individual and the contents of the bin the individual is confronted with themselves, something oddly beautiful and an environmental issue all wrapped in one.

A NEW POINT OF VIEW

2017

DIY 4 WAYS TO MAKE YOUR GARBAGE BAG LOOK ECO-FRIENDLY

2017

SMOKE MACHINE A PROTOTYPE INVENTION

2016

Medium:

Hand carved wood, plexiglass, metal and other mediums.

The ‘Smoke Machine’ was designed to offer a platform that is playful & interactive simultaneously stimulating the individual to consider what smoking does to the environment and those around them, without encroaching on the individuals comfort zone and habit.

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